Patrick M. Lydon (b. 1981) is an American ecological artist. His internationally-exhibited work incorporates image-making, writing, installation, and performative community engagements, with aim to inspire insightful, empathic relationships with the living world around us.
Lydon was born and raised on the Ohlone land known today as San Jose, California (or Silicon Valley), and afterward spent several years of his life as a pilgrim in East Asia. His work reflects cultural traditions garnered from diverse casts of people, from farmers and monks to urban planners and educators. Though broad in form — ranging from massive installations of natural materials, to brief meditative films — his work always has its roots firmly planted in the act of investigating our relationship with nature.
Lydon is founder of City as Nature art and media lab, and arts editor for The Nature of Cities, where he co-curates the Forum for Radical Imagination on Environmental Cultures (FRIEC). He co-directed the documentary Final Straw: Food, Earth, Happiness, and previously served as Arts Commissioner for the City of San Jose. He currently lives in Osaka, Japan, where he and his wife run The Branch art space and urban farm.
Download CV (PDF)
For inquiries related to art and writing please use:
patrick [at] pmlydon.com
For inquiries related to the Final Straw film distribution and screenings, please use:
Korea — Suhee Kang — suhee [at] finalstraw.org
Japan — Kaori Tsuji, aouei films — kaori [at] finalstraw.org
U.S. and Other Inquiries — director [at] finalstraw.org
Exhibitions and Publications
Lydon has shown work and/or produced collaborative projects in North America, Europe, and Asia, including at: Glasgow Center for Contemporary Art, Pier Arts Centre, Setouchi International Triennale, Kagawa Yamanami Art Festival, David Brower Center, Contemporary Art Space Osaka, BankART 1929, N3 Art Lab, Yamaguchi Institute of Contemporary Art, Institute of Liberal Arts at Nagoya University, TENT Gallery, Fettes Gallery, Falkland Centre for Stewardship, MinnaNouen, Seoul Youth Hub, Value Garden, Gigha Gallery, Oni Gallery, Aichi University of Art, SpaceNoah, Arc Gallery, WORKS Gallery, ArtObject Gallery, and Koji.
In addition to efforts at SocieCity and Nature of Cities, he has been a contributing writer for YES! Magazine, Kyoto Journal, Arts Everywhere, Resilience, and the San Jose Mercury News among others. To read some of this, you can explore words section of this website.
He has two published books, both co-written with partner Suhee Kang. 자연농(Final Straw) and 불안과 경쟁 없는 이곳에서 (Here, a World Without Anxiety or Competition) are available at bookstores across South Korea.
You can also find reviews, interviews, images, and written work in Huffington Post (Korea), SF Weekly, Shikoku Shinbun, DesignBoom, BranD Magazine, Bar and Dining Magazine, CNN, E-Sharp Journal, ROAD Magazine, ESSEN Magazine, Clean Eating Magazine, OKH TV, Afterimage Journal of Media Arts, NorthernLights, Creative Review UK, JPG Magazine, CordPress (세 개의 선), The Art Chronicle, 10. Magazine, Reed Magazine and Lightleak Photography Journal.
Lydon is in the permanent collection of the David Brower Center, one of the world’s foremost centers of ecological policy and action, and of Cafe Ism and Cafe Oui in Seoul, South Korea, two of his favorite places to get coffee and cake. Pay them a visit if you’re in town and say hello.
Lydon holds an MFA with distinction from the University of Edinburgh’s Art, Space & Nature program (2014), was a visiting student at Aichi University of the Arts in Japan (Summer 2013), and graduated with a BA from San Jose State University (2007), after studying relatively equal amounts of music, photography, and design.
Outside of academia and book learning, Lydon is greatly influenced by regular work and interaction with natural farmers throughout East Asia, and thousands of hours of meditative practice in Dharma halls, forests, and urban settings alike. “Taking the time to learn from the people, places, and nature within our surroundings,” Lydon says “is one of the most important educations anyone could find. It is also a lifelong, tuition-free education, powered by our own curiosity and dedication.”